Top Ten Tuesday – Top Ten Books On My Spring 2014 TBR List

toptentuesday

It’s that time again – Top Ten Tuesday, hosted by The Broke and the Bookish, this week: Top Ten Books on My Spring 2014 TBR (to be read) list.

SideEffects

10. Side Effects May VaryJulie Murphy (March 18th, HarperCollins)
Alice finds out she’s dying of cancer, so she writes the most epic bucket list ever (with pay back a plenty included) and lives it out (revenge and all.) Then she learns she’s not actually dying. Chaos ensues.

Forget About Me

9.  (Don’t you) Forget About Me, Kate Karyus Quinn (Harper Teen, June 10)
If you’ve read Kate Karyus Quinn’s first novel Another Little Piece than you know she’s great when it comes to the whole fantasy/mystery thing. Don’t You Forget About Me revolves around a mysterious town where you never get sick and you live a long life. But there’s a price to be paid, one that comes every fourth year.

Killer

8.  Dear Killer, Katherine Ewell (Katherine Tegen Books, April 1)
(From Goodreads) …a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe. Um – hell yeah.

DreamBoy

7. Dream Boy, Madelyn Rosenberg  (Sourcebooks Fire, July 1st 2014)
Definitely a case of the be careful what you wish fors, this mystery centers on a beautiful and mysterious boy who proves that dreams really do come true. But with this dream comes a nightmare or two.

Dorothy

6. Dorothy Must Die, Danielle Page (HarperTeen, April 1)
Imagine an Oz where the sweet, girl from Kansas who liberates the people from the clutches of the Wicked Witch of the West finds a way back to that magical land only to become the dictator she once defeated.

ToTheDead

5. Love Letters to the Dead, Ava Dellaira (April 1st 2014, Farrar, Straus and Giroux)
What starts off as a school assignment soon turns into an epistolary tale of first love, dysfunctional families and betrayal.

QueenofTear

4. Queen of the Tearling, Erika Johansen (Harper, July 8)
Full disclosure – I’ve already read this, but I plan to re-read in celebration of its official release in July. This book is awesome, it’s kind of Game of Thrones meets Reign meets something entirely different.

WeWereLiars

3. We Were LiarsE. Lockhart (Delacorte, May 13)
There’s tons of buzz around this YA thriller – and here’s why (from Goodreads):

A beautiful and distinguished family.
A private island.
A brilliant, damaged girl; a passionate, political boy.
A group of four friends—the Liars—whose friendship turns destructive.
A revolution. An accident. A secret.
Lies upon lies.
True love.
The truth.

Need I say more?

CityOfHeaven

2. City of Heavenly Fire, Cassandra Clare (Margaret K. McElderry, May 27)
The last book in Clare’s insanely addictive The Mortal Instruments series, this final chapter sees Clary, Jace and the gang face off against her sociopathic brother Sebastian and his army of evil nephilim.  How cool is that?

GodMonsters

1. Dreams of Gods and Monsters, Laini Taylor (Little, Brown & Company, April 8 )
Really is my number one shocking to anyone who reads this blog? I’m obsessed, OBSESSED with Laini Taylor’s beautiful, seductive, enthralling fantasy trilogy about love and war and everything in between. Will Karou and Akiva end up together (they’d better…) Will the Chimaera-Seraphim war finally come to an end? Will the renegade Stelian Seraphim save the day? I am equal parts excited and anxious, happy and sad – because really, when this series comes to end what will my life become?

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Book Review: The Evolution of Mara Dyer

Author: Michelle Hodkin  Evolution
Publisher: Simon & Schuster
Date Published: February 28, 2013
Number of Pages: 544
Series: The Mara Dyer Trilogy, book #2

What’s It About?

Everyone around Mara Dyer thinks she’s crazy. But she knows better. She knows she can kill with her mind, that her boyfriend can heal with his and that the ex-boyfriend everyone else believes died in an accident that killed his sister and Mara’s bestfriend, is alive, well and looking for revenge. Afraid of a power she can’t control and desperate for answers Mara and Noah work together to figure out how Jude survived a building collapse and why he seems to know more about Mara’s power than anyone else.

The second book in the  Mara Dyer trilogy The Evolution of Mara Dyer picks up where the last book (the insatiably good The Unbecoming of Mara Dyer) leaves off – with Mara convinced she can kill with just her thoughts and fearing attack from the ex-boyfriend she knows is not dead. But as with the first book the big question throughout Evolution is whether or not any of what’s happening is real. Which is what makes this series so good.

This second book does several things that make it a great follow up – because in my humble opinion the second book in a trilogy can often get bogged down with too much set up in preparation for the final book – Evolution however amps up the intensity, the drama, the questions and excitement. From a foray into the occult and a dalliance with a priest of Santeria to attempted murder The Evolution of Mara Dyer pulls you even further into Mara’s complicated story.

Sharp Writing Goes A Looooong Way

Author Michelle Hodkin has a knack for sharp writing – Mara’s story is layered, well thought out and amazingly executed. It’s easy to zip through this book because Hodkin’s use of language is clever and concise. Plus she creates incredibly strong character voices – every exchange between Mara and Noah, whether it be playful or serious always evokes some sort of emotion. Also as Cassandra Clare so aptly points out on the cover the story is dreamlike – effortless – good writing will do that for a story.

The love story – Noah is swoon worthy

Par for the course with love stories is the usual boy/girl meets girl/boy, they fall in love, drama ensues, they’re ripped apart due to unforeseen circumstances or some other girl/boy comes between them. Not so much with Mara and Noah – there’s drama, of course there is, you can’t fall in love with a girl who, general consensus agrees, is nuts but who claims to be able to murder with her mind and not expect some ups and downs. But Noah is steadfast in his love (or is it obsession?) with Mara. He sticks with her despite Mara’s conviction that she will eventually hurt/kill him. Their relationship is definitely unconventional yet highly functional. It makes for a nice change of pace.

Some people suggest that Mara’s become too reliant on Noah. I tend to disagree with this line of thinking. Both Noah and Mara are equally as obsessed with the other – Noah’s obsession is obvious in how he inserts himself into any and all situations that involve Mara. He practically lives at her home, he is willing to indulge her every whim all for the sake of keeping her happy. These facts though are easy to look past because the reader is not provided with Noah’s stream of consciousness the way they are with Mara. We know more about her obsession/love for Noah because this is her story. It is her relaying the events to us and so her thoughts and feelings towards everything, Noah included, are more readily available.

But how anyone could fail to notice Noah’s dependence and infatuation with Mara is beyond me. Why is no one seemingly concerned that Noah inserts himself into any and all situations involving Mara? He willingly has himself committed in order to stay close to her. If that’s not slightly obsessive I don’t know what is.

Jude – Why you so cray?

I’m a big fan of antagonists. They’re often the best part of a story. I really think Jude is a great character/figment of Mara’s imagination/ghost/? – regardless whatever he is, he is great. As antagonists go he draws you in because though his motivations are clear there never seems to be any rhyme or reason to his intent. You’re never certain whether he only wants to hurt/torture Mara or if he really wants her dead. He’s horrible, and evil and any scene involving him is always full of tension and suspense.

*Spoiler*

Mara Dyer is teeming with unexpected twists – this is a book that loves to confuse its readers – is it all a set up? Is Mara sane and really capable of killing with just her mind? Or is she truly insane? Only adding to the confusion and frustration is learning that Dr. Kells (Mara’s therapist) knows Jude and is apparently in cahoots with him. Is in fact seemingly controlling this whole situation. This was a spin on the story I was not anticipating – are Mara, Noah, Jamie and the others just lab rats? Pawns in an even bigger game? Or is she really nuts? Unfortunately I can’t say because Hodkin continues to keep her readers in the dark. Which is exactly why we keep coming back for more.

The Evolution of Mara Dyer continues to entertain and confuse readers. This continuation has a little something for everyone – romance, suspense, fantasy (or is it crazy?) – and a mystery that leaves you desperate to know the truth. Hodkin’s truly worked to evolve not only the story but her characters while working to answer questions left unanswered all while adding more questions to the pot.  4/5 stars.

Book Review: The Unbecoming of Mara Dyer

maradyer

“If I were to live a thousand years, I would belong to you for all of them. If we were to live a thousand lives, I would want to make you mine in each one.”

Author: Michelle Hodkins
Publisher: Simon & Schuster
Date Published: September 27, 2011
Number of Pages: 466
Series: The Mara Dyer Trilogy, book #1

What’s It About?
Mara Dyer wakes up in a hospital bed only to learn that she is the only survivor of a building collapse that claimed the lives of her best friend, her boyfriend and his sister. Wracked with survivors guilt and suffering from major PTSD Mara and her family moved to Florida to start over. Only Mara can’t. In a fragile emotional state Mara constantly has visions of her dead ex-boyfriend and his sister, terrible nightmares and hallucinations. It’s not until she meets Noah Shaw that she begins to suspect she may not be quite as normal as she once believed.

***Spoilers abound beware***

The Unbecoming of Mara Dyer is one of those books that has a great beginning. It opens with a confession – Mara Dyer (our heroines assumed name) is a murderer. How and why is yet to be determined. Mostly because Mara herself doesn’t know these answers. But she’s on a mission to find out. The set up is perfectly executed. From the very first page you’re hooked – you need to know the circumstances, you need to know Mara’s secrets. Author Michelle Hodkin starts the suspense high and manages to maintain it throughout.

How she does this though is both invigorating and frustrating as all hell because Mara Dyer you will soon discover is not the most reliable narrator. The fact is she’s suffering from PTSD, brought on by the major bought of survivors guilt she’s suffering from. A guilt that’s so encompassing it has her seeing things that aren’t there, suffering from nightmares and all around going loopy. To help assuage her precarious emotional state Mara’s parents decide a change of scenery may help and so the family up and moves to Miami, Florida.

The move however does nothing to help Mara, in fact it only seems to aggravate her precarious situation because soon she finds herself seeing her dead boyfriend all over the place. Stressed, depressed and convinced she’s totally lost the plot Mara’s life is in a seemingly endless downward spiral.

That is until she meets Noah Shaw – of course as YA trilogy’s dictate he’s beautiful, a real dream boat, wanted by every girl in the school. He’s smart and has a cute British accent to boot. He’s also apparently the school man-whore.

Now it just so happens that I’m a sucker for a well-written male love interest (I mean I’m not opposed to a female love interest but since that’s not the case in this book we need not discuss this further.) And Noah Shaw easily captures your “aw shucks” gene and refuses to let go. From the beginning the chemistry between Mara and Noah is intense, clever, witty and everything you kind of want. As Mara and Noah’s relationship develops – in, despite all of the crazy surrounding Mara, a relatively normal way. Noah pursues Mara, and eventually wins her over by protecting her from an incredibly awful high school mean girl.

This is all set up though, apart from showing the strength of the connection between the two characters, and revealing Noah’s true nature (mainly that he’s nothing at all like everyone says) it has little to do with the real story at hand. But it does set up what will no doubt become an incredibly heart-pounding and intense love story.

The real story develops slowly, with an increasing sense of urgency and creepiness. Weird things are afoot in the life of Mara Dyer – she keeps seeing her dead ex-boyfriend, objects in her room move around, and her father just so happens to be the lawyer for a wealthy man accused of brutally murdering a young girl.

As the story progresses more is revealed about that fateful night that Mara’s life changed. Hodkin uses dreams as her medium for major revelations, and because of this fact you can never be sure if Mara’s dreams/visions are true or if her mind is trying to come to terms with a terrible accident. Mara becomes convinced that she is the cause of the building collapse, that she somehow has the ability to kill people with her thoughts and is therefore a danger to everyone around her.

But as the reader you can never really be sure if what Mara believes is true or not, and Noah is no help in this matter. He’s indulgent to the point of detriment. Quite honestly you begin to question his sanity too.

But this is the brilliance of The Unbecoming of Mara Dyer – Hodkin keeps you guessing. Right until the end you can never be sure if you should believe Mara or Noah. What is reality and what is not flips back and forth, it’ll have you pulling out your hair and screaming “WHY? WHYYYYYYYY?!” But in the best way possible.

Add to this a great antagonist in Mara’s ex-possibly still alive, but probably not because a building totally collapsed on him-boyfriend Jude. Whether he’s real or simply a figment of her imagination he will give you the willies. Something about the brief flashback’s that allude to Jude, the small moments when he pops up in everyday life or when Mara suspects his existence tell you he’s an absolute skeeze. He is skin crawlingly demonic, and not knowing whether or not he’s there or not at times has you looking over your shoulder as you read. There’s nothing more delightful than a well written, creepy, scary, sociopathic foe. And in Jude you get one.

The Unbecoming of Mara Dyer is the first book in the Mara Dyer trilogy. Author Michelle Hodkin sets up a story full of proverbial twists and turns, with a main character who’s fragility is equalled only by her thirst for the truth. Add to that a swoon-worthy love interest and the most unreliable narration you could possibly imagine, Mara Dyer is as frustrating as it is thrilling, and comes highly recommended.

Flowers in the Attic – TV Movie

Top cheese network Lifetime’s much anticipated adaptation of the salacious, incest riddled, cos-02-Flowers-in-the-Attic-book-cover-mdnmelodramatic V.C. Andrews classic Flowers in the Attic premiered last night and with it came the collective release of many a bated breath for all those who devoured the Dollanganger series under the covers, late at night, flashlight in hand. Or, if you were me, openly, in the family room while your multitude of brothers watched some sports related movie and your mother took it at face value when you told her the book was about a girl growing a garden in an attic. Regardless, it’s almost a right of passage for thirteen-year-olds the world over to get their hands on a copy and blush over its many indecencies.

So it comes as no surprise that many a person was looking forward to spending a cold Saturday night in January at home, on the couch, to watch Don Draper’s daughter (Kiernan Shipka) take the lead as Cathy Dollanganger as she stumbles into a world of child abuse and ugh, brother lovin’.

And that’s okay, I won’t lie, I was one of those people. I even had a reminder set up on the TV. I watched, I shuddered, I laughed at the terribly bad acting, I felt strange disappointment that it wasn’t as blatantly prurient as I expected. Which says a lot about where my mind was at. (This is obviously something one shouldn’t freely admit to but it’s done, and I’m obviously too lazy to hold down the delete key so the admission stays!)

According to People magazine (that triumph in journalism) Lifetime’s Flowers in the Attic is “a gripping, psychologically coherent foray into American Gothic” I would say that was reaching. I don’t think people expect much from a Lifetime TV movie apart from excessive melodrama and questionable acting.  And really that’s the beauty of Lifetime. So Flowers in the Attic found its perfect home. And offered the chance for someone to finally answer the question: What does melodrama + melodrama =? Sadly it would seem the answer is not Uber-melodrama but rather a strange struggle between putting it all out there and maintaining some element of timidity.

So let’s set it up to knock it all down shall we?

The Acting

Oh Heather Graham, oh dear, dear, dear Heather Graham – she was kind of everything I wanted Corrine to be. Just vacuous. Vacuous with seedy undertones. A lot of people said her acting was awful. I agree, but I’d like to pretend that it was intentional. That the terrible acting was just an element of the character, who spent all of her life acting a certain way to get what she wants – that effusive happiness, all that child-like joyful innocence, none of it’s real. It’s all an act. Because deep down Corrine’s just as bat shit crazy as her bible thumping mother Olivia. It’s delightful.

The Dresden Dolls: Cathy, Christopher, Cory and Carrie

I’d like to thank the writer/writers for limiting the amount of lines given to the creepy Children of the Corn twins because every time they opened their mouths I couldn’t help but think “It’s quite possible I’d have locked them in the attic too.” Obviously I wouldn’t. But sometimes the thought is enough to satisfy.

I will give praise where praise is due, it can’t be easy for two young actors like Kiernan Shipka (Sally Draper guys. Sally freaking Draper) and Mason Dye (who let’s be honest is kind of dreamy in that whole clean cut, I’m on the row team and wear sweaters tied around my shoulders Yale graduate way) to take on roles that involve sibling lustin’, I mean I think if that were me I’d have spent all of my time giggling uncomfortably. But they did it, and I say this with a limited amount of irony, with class? If that’s possible.

And then there’s Ellen Burstyn – no one plays crazy old lady quite like her. Every time she uttered “Remember, God sees everything” I expected fire and brimstone. And though in the end it’s really awesomely ridiculous that a tiny hallway leading to the attic acts as her downfall, Burstyn plays it so beautifully you almost feel bad for dear ol’ granny. And then you remember that whole crazy abusing, locking her grandchildren in a room for years, calling them abominations and devil spawn thing and then you laugh because really Flowers in the Attic is amazing.

The Story

It’s so good guys. It’s just so bad it’s good. I love it. I’m obsessed. There’s so much crazy coming from all the adults and so much temperance from the kids, it’s like a weird Freaky Friday but with incest. Which isn’t cool but you know you read the books because of it. And watched the movie to see how it was done. And in the movie it just kind of happens. Like it was inevitable and so you know there you go. It was almost offensive in how seemingly accepting Cathy and Chris are about it. And okay there are many issues with how it happens in the book (that whole Cathy blaming herself for her brother raping her thing, definitely some sort of latent anti-rational thought on V.C. Andrews part) but the movie kind of made it seem romantic? I put a question mark there because ew.

As far as adaptations go though this one really did try to maintain the integrity of the original work, which I really appreciate. It’s definitely miles ahead of the dreadful 1987 film starring the original Buffy (Kristy Swanson) and Troy’s friend from The Goonies. It’s like cheesecake, you know it’s going to go straight to your thighs but you’re all “whatever” cause it’s delicious. But then after you’ve eaten the whole thing you can’t help but feel sick at how much you enjoyed it.

So in honour of the best piece of ridiculous, gothic horror, young adult melodrama out there let’s bask in this gem from the original book, and raise a glass to V.C. Andrews and her strange, twisted, over-the-top, theatrical stories of crazy, rich white people.

“There is no hate such as that born out of love betrayed- and my brain screamed out for revenge.” And cue Petals in the Wind. 

The Reading Queue – Upcoming Reads for September

the-reading-queue

As I was navigating my way around the Blogosphere I stopped by one of my personal faves Book Tasty, who along with Books: A True Story hosts the Reading Queue a monthly meme where you list the books you’ve read over the past month and those you’ve lined up to read for the upcoming month – pretty awesome. This is my first time taking part and I’m loving every second, what with my strange penchant for lists.

August Reads

Eleanor & Park, Rainbow Rowell

Looking for Alaska, John Green

Bully, Penelope Douglas

Paper Towns, John Green

The Monthly Re-Read: Daughter of Smoke and Bone, Laini Taylor

Like most avid readers my To Read list grows at a far more rapid pace than I read but I do always have a list in the ol’ noggin of what I’ll read next.  So without further ado my current lineup for September (subject to change as my daily whims see fit):

13 Reasons Why, Jay Asher

The DUFF: Designated Ugly Fat Friend, Kody Keplinger

Tampa, Alice Nutting

Me Before You, Jojo Moyes

Monthly Re-read: Watership Down, Richard Adams

And finally I have three ARCs lined up:

Discretion, David Balzarini 
Night of the Purple Moon, Scott Cramer 
The Devils Beat, R. Scott Vankirk

Of course in a perfect world I’d have nothing to do with my days but read, unfortunately the world is not perfect and those two pesky and seemingly eternal sidekicks – work and school – will most likely get in the way of me completing this list, but, there’s always October.

Book Review: The Silent Wife

Author: A.S.A. Harrison
Publisher: Penguin Books
Date Published: June 25, 2013
Number of Pages: 336

SilentWife

“The world is full of damaged people and without the sane ones to take up the slack no couple would be safe.”

Psychotherapist Jodi Brett silently watches as her already dysfunctional 20-year relationship slowly disintegrates, leaving her slighted, disturbed and fighting to retain her way of life.

This is the second book I’ve read and reviewed that’s been likened to Gone Girl (the first being Kimberly McCreights Reconstructing Amelia), after reading the latter I was slightly disappointed, it was a decent story but no way as suspenseful, thrilling or shocking as Gone GirlThe Silent Wife however is a different story. Harrison’s story has all the suspense of Gone Girl as well as that nameless quality that makes you silently scream in your head as the story unfolds and each characters actions and decisions take them further and further towards an unknown abyss.

This is largely due in part to Harrison’s unbelievable writing, which switches back and forth between main characters Jodi and Todd – from the opening lines you know how the story will unfold and as it moves along you find yourself being engulfed by the feelings of dread and foreboding Harrison’s prose creates. The story’s narration is done in such a matter of fact way, there’s no judgment or opinion, just facts. Add to that the brilliant use of the omniscient narrator – which reminded me of the narration in the film version of Tom Perrotta’s Little Children which incidentally is a really good film, but I digress. Harrison assumes that the reader’s intelligence is on par with her own; her use of language is colourful, intriguing – yet almost academic in presentation, highly mature and incredibly fluid. It’s very cool. She evokes strong imagery, for instance take a look at this doozy: As the northern hemisphere hurtles away from the sun, the lengthening nights and disappearing days strike her as a punishment designed for her selectively. Harsh winds whip up rain and fog, whistle through trees, and slam into windowpanes. Leaves that were green just last week have turned the colour of piss and dung and are piling up on the pavement.  (Chapter 11, Opening paragraph) Stunning.

The brilliance in Harrison’s writing lies in her ability to make even the most obvious situations or outcomes surprising. How the story unfolds is not in and of itself unexpected but the way in which scenarios play out – with a sense of detachment on main character Jodi’s part and unbelievable delusion on that of her husband Todd’s.

I found main character Jodi to be frustrating in her restraint and her refusal to accept the facts of her life. By turning a blind eye to Todd’s behaviour for so many years she’s placed herself in – what she believes to be this impenetrable bubble – when in fact, despite all of her attempts, her refusal to get married etc., she’s become complacent just like her mother.  And in doing so she’s in a way put herself at Todd’s mercy. Even with all of her education, and a career that could potentially make her financially independent she’s allowed her world to revolve around Todd and therefore become dependent on him. I mean how naïve can you be? Is it really possible that it never crossed her mind that eventually her husband’s antics would escalate, that he would eventually take the final step and leaver her for someone else? Someone younger? It baffles me to think that this character would never have thought to put a little money away just in case. It also annoys me that she would be so blind-sided by events that were twenty years in the making! Yet there’s this streak of rebellion in Jodi that we get glimpses of periodically – a prime example is the sleeping pills she puts in a cup of cocoa for Todd. Eleven in total. And she’s seemingly not perturbed that she could have potentially killed him.

Yet as I read the book all of these questions were constantly pushed aside due to the unbelievable rage and astonishment I felt towards Jodi’s husband Todd. Instantly unlikeable, arrogant, pompous and self-involved as more of Todd’s character is revealed you come to realize that he’s, well, kind of an idiot. His arrogance is inflated by this belief he has that he’s “really not that bad”, he’s a nice guy you know, he’d never be mean to someone, and he’s trusting, always willing to accept a person at face value. The way he rationalizes his behaviour, his lies, his cheating coupled with the way he walks out on Jodi – with his tail between his legs, it’s all just so vile. *SPOILER* The man impregnates the 21 year-old daughter of his childhood best friend! And then, even more amazingly convinces himself that eventually his good ol’ buddy Dean (his fiancée Natasha’s father) will get over it, come to accept it and value it.

Watching Todd endure this midlife crisis is like watching a diabetic left in a candy store, painful to the point of torture. Hitting the gym, buying a new wardrobe it’s all very pathetic.

Throughout the entire story Todd wavers between Jodi and Natasha, he even manages to convince himself that he and Jodi could be friends, and in fact going so far as to hope that in essence he could turn Jodi into the mistress. Are you kidding me? The worst thing about Todd is that I know someone like that. This kind of person is totally possible. Beware the Todd’s of this world.

Adding further dysfunction to the story – Todd’s soon to be baby mama has got to be the most obnoxious, vapid and shrewish chick in town. The differences between her and Jodi are beyond striking. Natasha is immature beyond all reason, jealous and demanding – it makes you wonder, is youth and spunk really all it takes to make a person turn their back on a loyal, loving and accepting companion? One who, if we’re a little vain, and who are we kidding of course we are, has been acknowledged by numerous characters as being both fit and attractive. If so there’s no hope for any of us. Though Jodi has her faults, she is a little too perfect, a little Stepford wife in her behaviour and her silence though often chilling, is more detrimental to her than she realizes.

As the story hits its peak it plays out like a cautionary tale – Hell hath no fury meets Apple and Tree ie. Try as you might you’ll probably turn into your parents (which definitely explains Lindsay Lohan so take heed children.)

If I have one criticism it’s that I found the ending to drag a bit, both Jodi and Todd make selfish choices and both of them suffer from serious indecision about them – it’s the indecision that encumbers the story. Regardless in the end they both hold true to their persona’s – Todd moves on to another unsuspecting girl with the hope that she’ll be the one who cures him of his ennui, and Jodi follows through on what she feels is the only way to keep the life she’s known for the past twenty years. Harrison does manage to throw in one final twist at the end that once again appears so obvious but somehow she manages to make it seem startling.

The Silent Wife is a captivating and intelligent story that will make you so angry, appalled and confounded you’ll wonder why you’re reading it while at the same time hoping it won’t end. It stands strong on its own and definitely lives up to the hype.