Author: Gillian Flynn
Number of pages: 432
Publisher: Crown Publishing Group
Date published: 2012
Note* there may be a spoiler or two tucked away in this review. I highly suggest reading the book first and then reading the review.
WHAT’S IT ABOUT?
On their fifth wedding anniversary Nick Dunn’s wife Amy suddenly disappears. As the story unfolds all the evidence suggests Nick is responsible for his wife’s disappearance. But, as is often the case, things aren’t quite as they appear.
Told from the viewpoints of both husband and wife, this story unfolds in one of the most suspenseful, invigorating and rage inducing ways possible. The story is broken into three acts: Before the disappearance (told through Amy) the disappearance (told by both Nick and Amy, separately) and the return (again both characters tell ‘their’ versions.) The back and forth between each characters version of events is done seamlessly, with each new revelation beautifully sculpted before actually being revealed.
The book is riddled with red herons which, if you’re the type of reader who becomes almost emotionally entwined with a novel, will have you feeling a vast array of emotions ranging from undeniable rage to complete shock followed swiftly by disgust and usually wrapping up with a little bit of awe. This is good. Flynn’s Gone Girl is a story that will make you anxious and leave you fearing marriage. (If you don’t already.)
The use of the unreliable narrator is set up in such a way that you might actually feel shocked and hurt when certain things are brought to life – at least in regard to the character of Nick. His unreliability kind of blindsides you. Yet, despite wanting to hate him you always kind of find yourself rooting for him. Maybe it’s because it’s so obvious he’s a lost cause. Maybe it’s because the feeling of dread that Flynn creates, the fact that as you continue to read you know, without a doubt another bomb is about to drop, you hope he’ll ‘man up’, fight back and reveal the truth, because despite how pathetic he is (and as far as characters go, Flynn has done a brilliant job of creating the most yellow bellied character wrapped in a pretty package to date) you really don’t want him to lose.
Why don’t you want such an awful character to lose? Because the only other choice for a winner is such a disgusting and vile creature – amazingly developed, with brilliant nuances and ingenious deviltry that you literally feel sick at the thought of her. Amy Elliott-Dunn is plain evil. Evil and fun. What’s most inspiring about her character is that as much as you hate her (and trust me you’ll hate her, and if you don’t you may need to start reevaluating your morals) you can, in a way, live vicariously through her because, if I’m being honest, everyone’s been in that one relationship where the thought of unrelenting, earth-shattering revenge is almost all consuming. Of course most of us don’t actually go out and attempt to enact our fantasies of revenge, and certainly not to such detrimental (yet brilliant) extremes. Look out for her inspired diatribe on being the “Cool Girl” – mind blowing.
There’s a reason Gone Girl has been at the top of the best sellers list for the past year, Flynn’s writing is astounding. She creates characters with so much depth – despite their shallowness and self-involvement. Gone Girl transcends all genres and really is on the borderline of great literature. Is it a crime novel? Mystery? Suspense? Morality tale? Revenge? It’s all of those things, and more. Thrilling and suspenseful, with two of the most awful characters out there this book is hard to put down and will invade your psyche for weeks.
If you’ve already read Gone Girl check out Flynn’s other novels Dark Places and Sharp Objects – my personal favourite between the two.